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https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382138743613-LGAK9ZNOW2E6JVQ1605B/game+is+good_055.JPG Projects https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382138713937-XBP4PVNKFNCNLOI4V8CT/game+is+good_047.JPG Projects https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382138724316-0N1TC9QRYRATSURKXKB5/game+is+good_054.JPG Projects https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382139312242-4X9JSUNS49XM5WVDL73M/mgleave_paint_excavation_09.jpg Projects - Paint Excavation: Firstdraft, Wall in Gallery One as of 28th June 2009 2009 60 x 40cm Existing Gallery wall, sanded back to reveal 16 years of gallery paint Known artists to be excavated: Black: Jordana Maisie Brown: David Griggs Blue/green: Katy B Plummer Blue/green: Benedict Ernest Grey: Tim Silver https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382139323568-HIE135X5J97IOGPOVS5K/IMG_4236.JPG Projects - Wall Reversal 2009 480 x 270cm Re-hung existing gallery wall Photograph: Agatha Gothe-Snape   https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382139328521-V1RQP4NDM1G7LEAG5MY1/IMG_4237.JPG Projects - Take/Taking Stock Agatha Gothe-Snape, Michaela Gleave and Sean Rafferty 2009 Dimensions variable Contents of gallery store room, refrigerator, monitor, documentation of action Photograph: Agatha Gothe-Snape   https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382139333810-YDMI520FNWANEANXUOBQ/IMG_4245.JPG Projects - Stock Take/Taking Stock Agatha Gothe-Snape, Michaela Gleave and Sean Rafferty 2009 Contents of gallery store room, refrigerator, monitor, documentation of action Photograph: Agatha Gothe-Snape https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1382139395107-WOTPSTB0OIZLUB056Q45/IMG_4200.JPG Projects - Stock Take/Taking Stock Agatha Gothe-Snape, Michaela Gleave and Sean Rafferty 2009 Contents of gallery store room, 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About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://michaelagleave.com/news daily 0.75 2026-04-05 https://michaelagleave.com/a-galaxy-of-suns-audio-sample daily 0.75 2018-12-10 https://michaelagleave.com/vicki-hallett-universe daily 0.75 2016-09-27 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1463116623267-T68AAMVPM4IZY961GB7E/image-asset.jpeg Vicki Hallett - Universe https://michaelagleave.com/support-material daily 0.75 2023-07-03 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1688352304678-ISVMPOH8RSVOGUB40YIO/Michaela%252BGleave_Cosmic%252BTime_Lincolns%252BRock_01_hero.jpg Support Material - Cosmic Time Michaela Gleave with Amanda Cole and Louise Devenish 2021 Durational performance with prepared instruments, 40min Photograph: Silversalt Photography TarraWarra Biennial 2021: Slow Moving Waters View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630923413555-65RU8J18O5NWXJF722MJ/201016_messages_032.jpg Support Material - Messages of Hope, Messages of Love Michaela Gleave and Fausto Brusamolino 2020 Durational public artwork: moving head searchlights, custom software, publicly sourced messages, live video stream Photography: Silversalt Photography Art Gallery of NSW View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1688351923066-HNHWPQ52A46LF5HDS3KO/_MG_2567.jpg Support Material - Coronal Mass Michaela Gleave with Amanda Cole and Warren Armstrong 2019 Live sonficiation of the Earth’s magnetic field, using aurora monitoring data provided by the AUTUMNX Magnetic Observatory. 12 channel sound installation, light Photograph: Remi Chauvin Long Gallery, Salamanca Arts Centre, DARK MOFO View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630799653389-JSTLLWGKPMA0WTGKQEJJ/fear-eats-the-soul_27558766856_o.jpg Support Material - Fear Eats the Soul 2016 LED signage, custom computer program, irrigation misters, scaffolding 20m x 11m x 3m 5 minute 'electrical glitch' loop Photograph: Remi Chauvin Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630814515359-H5URJTSD3HKL7H8ESKY6/mgleave_AGOS_DarkMofo_2016-5.jpg Support Material - A Galaxy of Suns 2016 Created in collaboration with Amanda Cole and Warren Armstrong 36-part choral performance, smart phone app, staging, lighting program and sound design Photography by: Lucy Parakhina Dark Mofo 2016 View project https://michaelagleave.com/portfolio daily 0.75 2022-06-09 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637184608041-CI0PL37KJCA3WA7KL1EX/michaelagleave_cloudfield_5.jpg Portfolio - Cloud Field (Föhn Bank) 2007 Installation view: Kudos Gallery, Sydney. Photography: Silversalt Timber, plasterboard, harvested rainfall, ultrasonic misting units, water distribution system, fluorescent lighting Cloud Field (Föhn Bank) was a full room construction holding a field of real cloud. Made from harvested rainfall and using ultrasonic misting units, the room-temperature cloud was heavier than ambient air and sank to fill the room’s cavity. Highly sensitive to air movement, the body of cloud responded in the same manner as atmospheric cloud and could be easily manipulated and played with. The all-white environment rendered the physicality of the cloud visible only against the presence of another body in the space. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654743574023-Y006LUHUMQG4FFFYHLK2/raining+room_002.jpg Portfolio - Raining Room (Seeing Stars) 2009 Timber and plasterboard construction, harvested rainfall, irrigation system, light Installation view: Museum of Contemporary Art, Sydney. Photography: Silversalt View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654743615284-CPGZY6TM1UE1QDNEBVID/mgleave_ourfrozenmoment_print_07.JPG Portfolio - Our Frozen Moment 2012 Water, irrigation system, strobe lighting, pine structure, recycled rubber, wire balustrade, gum boots, rain ponchos Installation view: The Carriageworks, Sydney. Photography: Silversalt Our Frozen Moment was a large-scale experiment in space, light and the possibilities that shape our perception of the universe. Presented as a stage-like set, the viewer was invited to step into a ‘field of stars’ as a mass of tiny droplets spark briefly into existence before disappearing from view. Reminiscent of the dizzy sensation associated with ‘seeing stars’ Our Frozen Moment created a shift in perception. Stepping into the rain, one struggled to focus on the mist of tiny flashes being created before one’s eyes, as an ever-advancing succession of frozen moments unfolded. Fellow viewers became accomplices in the experience, rain-coat-clad observers in a field of stars. Referencing optical phenomena such as ‘prisoner’s cinema’, the atmospheric condition ‘diamond dust’, and so-called ‘frozen’ stars thought by scientists to be fuelled by dark matter, Our Frozen Moment continues the artists’ investigation into perception, optical ambiguities, and the transition of matter between visible and invisible states. Seeking gaps or fissures in the way that we build our impression of reality, Our Frozen Moment flickered between the macro and micro, the viewer’s perception becoming the subject of the work as they moved from observer to participant in the space. Hovering between the realms of theatre, science and spectacle, Our Frozen Moment created a universe around the viewer, as they become a performer in their own stage set, a unique position on the space-time continuum frozen momentarily for view. Our Frozen Moment was commissioned by Performance Space, Sydney. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637184687012-VCVOJ2OICY9Y391L1HIE/mgleave_cloudspa_fauxmo_2016-2.jpg Portfolio - Cloud Spa (Faux Mo) 2016 Timber construction, water, misting units, plumbing, LEDs, scent Created for Faux Mo 2016, MONA FOMA, Museum of Old and New Art, Tasmania Photographs 1-7 by Michaela Gleave, 8-10 by Rémi Chauvin, Faux Mo 2016 Cloud Spa (Faux Mo) was a pool of real cloud, installed underground in the deepest depths of Faux Mo 2016. A retro-futuristic spa environment, the only source of light in the room were blue and aqua LEDs, installed at cloud level to illuminate the abyss. Accessed via a wooden ladder and circular entrance the internal space was modelled to operate somewhere between a 70's conversation pit, theatre in-the-round, and communal bath house. The cloud was charged with ions, promoting feelings of well-being, and scented to encourage astral travel. A space for discussion and contemplation, rejuvenation and relaxation; a respite in the three days of madness that is Faux Mo. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654745822595-01VIIBRB92A90ZH4JRIX/mgleave_adayislongerthanayear_01_print.JPG Portfolio - A Day is Longer than a Year 2013 Theatre spotlights, dichroic filters, custom motors Installation view: Fremantle Arts Centre, Perth. Photography: Michaela Gleave Two theatre spotlights hang suspended from the ceiling, their circular beams of light slowly orbiting the peripheries of the room. Travelling in alternate directions and at differing speeds the twin orbs track their courses slowly, stretching and distorting as the focus shifts in and out of view. Morphed by the physical properties of the room and expanding and contracting with the lengthening and shortening of space, the beams circle one another as binary stars, eclipsing at varying points as the two rotations collide and diverge. Like spinning pulsars in the far reaches of the universe the spotlights measure time, their pace consistent and precise. Objects in their way cause shadows, leaving traces of their presence in the beam, with the movement of light constantly altering the ambient illumination through shades of indigo, purple, violet and magenta. Light is truncated and stretched, tripping over the angular lines of walls and windows, the reality of the image perceived entirely dependent on one’s position in space and time. Reminiscent of an empty ballroom, or stage spotlights ever scanning for a center of focus, A Day Is Longer Than A Year reflects on our shifting understanding of matter, time and space, oscillating between intimate experience and a constantly expanding knowledge of the universe. The red and blue beams of light echo the stretch and pull of reality, the electromagnetic spectrum as it reaches earth carrying with it signifiers of space-times far beyond tangible reach. Inspired by a research residency with the CSIRO’s Astronomy and Space Science Division, this installation draws on changes in our knowledge of the universe over time, from light as an historic driver of scientific research, to the undermining of our notions of reality by quantum physics and theories of relativity. Referencing in it’s title our basic markers of time, A Day Is Longer Than A Year explores the relational nature of reality and the impact that shifts in knowledge have on our understanding of ourselves. Part theatre stage waiting for an audience, part experiment in space, time and light, A Day Is Longer Than A Year unfolds slowly, consuming the viewer’s vision and questioning the validity of any single point of view With thanks to CSIRO’s Astronomy and Space Science Division, Dr Ric Spencer, Robert Hollow, Helen Sim, Erin Coats, Wayne Kellet and Chris O’Dwyer. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637184773719-8HJAXJSC7RA3RLMDJCF1/mgleave_eclipsemachine_magentaorange_2015-1-9.jpg Portfolio - Eclipse Machine (Magenta, Orange) 2015 Theatre lamp, dichroic filters, motors, powder coated aluminium, stand Installation view: Firstdraft Gallery, as part of the exhibition As if light could be translated, curated by Art Proper (Annika Kristensen and Samantha Williams). View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654746214727-NVAGNTA1RM27RSAOGLEO/mgleave_eclipsemachine_2015_05.JPG Portfolio - Eclipse Machine (Retrograde Motion) 2015 Projection lamp, motors, optical glass, timber, stand 90 x 90 x 140cm Light projected through two rotating prisms is cast in orbiting motions around the peripheries of the room. Internal reflections within the prisms cause motion at certain points to double-back on itself, sending the light into retrograde. Mimicking the movements of the cosmos the forms generated reference gravitational lensing, Doppler shifts, and quantum uncertainly in a constantly shifting series of spatiotemporal relationships. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654746447776-LYNXGLQP22Q3P5HOB0B8/mgleave_iwbyts_4.jpg Portfolio - I would bring you the stars 2010 Documentation of event: firework bomb, wheelbarrow Pigment print on archival paper Location: Vatnajökull icecap, Iceland. Photography: Michaela Gleave A one-off event for only one viewer, I Would Bring You the Stars exploded into the gathering dusk at the base of the Vatnjökull icecap in the building Icelandic winter. The light from the explosion continues out into the universe forever. The bomb was constructed out of season, using one families left-over fireworks from the previous winter. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185012555-FYJHCQYAC0OESJR5FFGB/star_test.jpg Portfolio - I Would Bring You The Stars (101 Nights) 2011 Documentation of performance: contract, text messages occurring over 101 nights, 101 DIY explosions recorded as 35mm transparency slides Installation view: Westspace, Melbourne. Photography: Michaela Gleave View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654746467981-MQ2SOKY05IN8OAFXZ34L/tanja_gacic_sincerity.JPG Portfolio - Sincerity 2011 Sparklers, house paint Dimensions variable Installation view: Firstdraft Gallery, Sydney. Photographs: Michaela Gleave This project was presented with the sparklers unburnt, as part of two separate exhibitions held simultaneously in Melbourne and Sydney. During the opening night of one of these exhibitions an audience member set the work on fire. The gallery was evacuated. The other version of the work remained unburnt throughout the exhibition period. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185087840-9WFEBJCWUWJYOPO3N56F/WeAreMadeOfStardust_blau_web.jpg Portfolio - We Are Made of Stardust 2016 LEDs, pine frame, electronics 7 minute colour loop 11.4 x 5m Installed in Schorndorf, Germany, as part of the Aufstiege light art festival in the KulturRegional Stuttgart Fabrication: Visiocollect Photograph: Lukas Breusch View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185075298-VKWBWU857AFHMYMKCNBU/MichaelaGleave-13.jpg Portfolio - We Are Made of Stardust (Hobart) 2018 Kelly’s Garden, Salamanca Arts Centre, Hobart, Tasmania Colour programmed LED signage, stereo soundscape Signage: 30 x 700cm on 5 minute colour loop Soundscape duration: infinite Photograph: Rosie Hastie We Are Made of Stardust (Hobart) was commissioned for Kelly’s Garden as part of the Three Portraits Project, which explores Salamanca Arts Centre’s past present and future. The installation considers humanity’s relationship with the cosmos, reflecting on the impact that scientific knowledge has on our understanding of ourselves and the world around us. Mounted above the audience and addressing the sky, the text looks out beyond the city to contemplate the vast expanses of time and space. Appearing subtle white during the day the work comes alive at night as the illuminated letters become visible against the darkened sky. Scrolling through the colours of the visible light spectrum We Are Made of Stardust (Hobart) considers both the limitless and finitude of existence; a celebration of the beauty and majesty of the universe. Accompanying the lettering is a live soundscape from the project A Galaxy of Suns. Created in collaboration with composer Amanda Cole, programmer Warren Armstrong and astronomer Michael Fitzgerald A Galaxy of Suns ‘plays’ the stars as they rise and set over the horizon, in real-time, for any location on Earth. Treating the Earth as a giant spinning music box the project connects GPS and time coordinates to data from the Hipparchos stellar catalogue to create an atmospheric rendering of our journey through space. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654746670677-ZOHW8X70ASHZDL716E98/mgleave_waitingfortime_03_print.jpg Portfolio - Waiting for Time (7 Hour Confetti Work) Video performance executed live via Youtube, 10 May 2014 Installation view: ISCP New York. Photographs: Michaela Gleave Waiting For Time (7 Hour Confetti Work) was a live video performance, streamed between the artist’s studio in New York and the Gallery of Modern Art in Brisbane on Saturday May 10 2014, 10am - 5pm, Australian Eastern Standard Time. Corresponding with one day of museum opening hours, the performance involved the artist setting off one, hand-held confetti cannon for every minute of the seven-hour duration, the action comprising of little more than waiting for the passing of time. Referencing the history of endurance performance, and the now outdated idea of the standard working day so integral to the advent of “clock time”, the performance explored compressions and expansions across time and space. Locational and temporal fixity of both performer and audience were skewed as space contracted via the screen and multiplied out through the web; the artist performing in her time while the results were made visible in another. In Waiting For Time (7 Hour Confetti Work) the artist both became a clock as well as being a slave to it, repetition rendering an ordinarily short-lived moment of celebration absurd, with the excess, beauty and violence of the confetti explosions serving as little more than a marker of time. This performance was viewable live on Youtube for the duration of the stream. An 'explosion' edit of the performance video is available here For access to the full 7 hour video stream please contact the artist. This work was awarded the 2015 Churchie National Emerging Art Prize. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630799653389-JSTLLWGKPMA0WTGKQEJJ/fear-eats-the-soul_27558766856_o.jpg Portfolio - Fear Eats the Soul 2016 LED signage, custom computer program, irrigation misters, scaffolding 20m x 11m x 3m 5 minute 'electrical glitch' loop Commissioned by the 2016 Dark Mofo festival, Tasmania Photographs: 1 Rémi Chauvin, 2-5 Lucy Parakhina Looming over the audience and bleeding into the night large letters spell out the phrase FEAR EATS THE SOUL. The text is illuminated blood-red, light spilling out through a cloud of mist that leeches from the structure and dissolves like a ghostly apparition. Reminiscent of an abandoned theme park ride, or decaying signage from a forgotten horror film, the arc of the text mirrors the form of the rising sun, whilst the deep red text infects the site with something darker. Presented as part the Dark Mofo festival Fear Eats the Soul reflects on pagan rituals and the banishing of darkness, referencing pre-Christian beliefs in heightened supernatural activity during the midwinter solstice. Playing on cultural remnants of religious superstition the work asks the audience to consider the degree to which we allow fear to drive our personal and collective behaviours. Taking its title from Werner Fassbender's 1974 film documenting racial and social prejudice in post-war Germany, Angst Essen Selle Auf, the work uses light to reflect upon Tasmania's dark side: the systematic attempts to obliterate First Nations culture and history; the colonising structures that have selectively proliferated information and power; and the culture of fear surrounding knowledge and change that undermine's the state's progress into the future. Whilst overt in it's presence, the meaning of the work remains open to the individual, questioning the personal and political, historic and current, local and global. Almost slapstick in its horror-film visual cues, Fear Eats the Soul treads the line between superficial and profound, religiously iconographic and pop; facing the city of Hobart front-on with it’s collective past, present and future. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185140256-GUIBW5KLQOK3J4FQ2Y3N/Elemental%2B_BAG_130220_42.jpg Portfolio - Elemental Desires 2019 8m x 4m x 1.2m Perspex, aluminium, RGB LED lights, custom illumination sequence Permanent commission for the Bendigo Art Gallery, VIC Photograph: courtesy Bendigo Art Gallery Elemental Desires is a large-scale text work by artist Michaela Gleave, commissioned for the rooftop of the Bendigo Art Gallery. Envisaged as a work in in two modes Elemental Desires shifts between light and dark, both physically from day to night, as well as symbolically through colour. Looming large over the rear of the building the work appears white-washed by sunlight during the day but comes alive at night. The words ELEMENTAL DESIRES are progressively illuminated, flicking initially from red through to yellow, growing in optimism as the shades lighten, before the sequence is reversed, golden yellow progressively deepening into deep blood red. Taking as it’s starting point the historical and cultural climate from the 1850's onwards, the work considers the layered history of Bendigo: the massive impacts of the frontier wars and gold rush; the importance of migrant communities and increased travel; and the contemporary legacy of mining and on-going tensions of cultural diversity. The work makes reference to the changes in public attitude that made the advancement of industrialisation and colonialism possible, and the cultural imagery that documents this process. Elemental Desires also considers the basic human traits that allow the duality in these situations to exist: the greed for wealth and gold is at times trumped by camaraderie and companionship; the passion that creates life is at times shadowed by the deemed necessity to take it away. Specific to its context yet open ended in its possible interpretations, Elemental Desires is both a bold and dramatic statement artwork and a nuanced response to site. Glowing out into the night it is a contemplation of the elemental desires that drive us all. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185250862-OYCWV30K27WD9DLMCMLB/ballonarbeit_still3.jpg Portfolio - 7 Stunden Ballonarbiet/7 Hour Balloon Work 2010 Documentation of performance, live 7 hour feed between Berlin and Sydney, 10/08/10 HDV: 17min 32 sec This project was performed as part of ‘Choose Your Own Adventure’ curated by Amelia Groom for FBI Radio, Sydney. The performance was streamed live from my studio in Berlin to the Oxford Art Factory in Darlinghurst for the seven hours of the event. Audience members were able to communicate to the artist via Skype throughout the performance View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654746836881-UVG4H1XGA88PDZ6CLUOH/mgleave_doingtime_2014_cellcam_03.jpg Portfolio - Doing Time/Time Doing Doing Time/Time Doing 28-30 November 2014 48 hour endurance performance executed in former police detention cell: clocks, CCTV cameras, video monitors, live web feed, camping equipment and supplies Installation view: The Lock-up, Newcastle. Photography: Jamieson Moore For the duration of the exhibition Enduring Parallels, curated by Lottie Consalvo and Ineke Dane, artist Michaela Gleave remained contained within one of the cells of the former police holding facility, The Lock-up, in Newcastle, Australia. Two identical clocks served as a record of the event: one located in the gallery keeping external time using a battery; the other, seen only via CCTV, manually advanced by the artist according to her sense of minutes passing within the cell. Consistent with the periods of incarceration experienced during the building’s operation as a detention facility (1861-1985) Doing Time/Time Doing responded to space and time in extremis, prisons being places where the experience of space is compressed to a minimum and duration expanded to a maximum; the aporia of time slowly unravelling into an eternally persistent present. For the duration of the performance the artist did not leave the cell and no one came in. She had access to a single camp bed, toilet facility and basic food and water for the 48-hour period, with no method of keeping time beyond that experienced by her mind. A performance accessible only via documentation, the artist’s actions were monitored for the duration of the exhibition by surveillance technology. The performance ended with the artist 48 minutes ahead of external time. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185726456-H3CB7J57C9AIE3SPD9GY/gleave_1.jpg Portfolio - The world arrives at night 2014 Performance delivered via email, website, bound document 22/02/14 - 27/07/14 Each evening at sunset a star will be sent to members of the audience. The star will be selected from those travelling across the southern sky that night, chosen intuitively, depending on the tone and colour of that day. These stars will be both present and historic. They will rise and set with the rotation of the earth, conveying both time and meaning. Some will be visible and others invisible, with information expanding and contracting as it becomes available or disappears through time. The audience will be unlimited. They may enter and exit the performance at any time. Precise locations in time and space will be both important and remain fluid. Occurring over 156 days, this performance will last for the duration of the exhibition ‘Trace: Performance and Its Documents’. The World Arrives At Night was a performative project commissioned as part of the exhibition Trace: Performance and Its Documents at the Gallery of Modern Art, Brisbane. The project will ran for the entirety of the exhibition period, commencing on 22 February and concluding on 27 July 2014. Executed on a daily basis, The World Arrives At Night melded astronomy and astrology, cosmology and anthropology, referencing the poetry and romance of our astronomic imaginings to explore a very human relationship to the cosmos over time. Part astrological experiment and part scientific data transmission, the project examined the parameters of performative practice, extending definitions of physical gesture and audience engagement through an expanded experience of scale and duration. Filtered through with a wiki-understanding of the universe, the work used the web as its platform, exploring compressions and expansions made possible through this media via a daily experience of the motions of the earth through space View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185441731-7TP9X1HEU2UTDDV6SJR1/20190504-GL-Inside_out-1684.jpg Portfolio - 7 Hour Balloon Work (Black) 2019 Photo: Gregory Lorenzutti 7 Hour Balloon Work (Black) was durational performance in which artist Michaela Gleave inflated 1,500 black balloons with helium gas. Executed in a translucent room, the artist slowly filled the performance space over the 7 hour period, black balloons pressing down from the ceiling. The performance re-visited Gleave’s original live video from 2010, in which the artist sat blowing up colourful balloons for 7 hours, slowly burying herself in her actions before popping them all and exiting the space. 7 Hour Balloon Performance (Black) inverts the joyous if bittersweet original to explore darker themes: an existential action is performed, the effects of which slowly crush space and obscure visibility. The entire of the performance was live streamed as well as being physically accessible to a live audience. 7 Hour Balloon Work (Black) took place on Saturday May 4 at the Ian Potter Museum of Art in celebration of the launch of their 2019 program, Inside Out. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630814515359-H5URJTSD3HKL7H8ESKY6/mgleave_AGOS_DarkMofo_2016-5.jpg Portfolio - A Galaxy of Suns 2016 Created in collaboration with Amanda Cole and Warren Armstrong 36-part choral performance, smart phone app, staging, lighting program and sound design Photography by: Lucy Parakhina Dark Mofo 2016 View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185329696-V4BFKC5TQPD85H9B50Y1/SDUFF_ANAT_528.jpg Portfolio - A Galaxy of Suns Spectra, Adelaide, 2018 Created in collaboration with Amanda Cole and Warren Armstrong 36-part choral performance, smart phone app, lighting program Location: Freemasons Hall, North Terrace, Adelaide Presented as part of SPECTRA Art + Science 2018 Photography by Sia Duff Project website: www.agalaxyofsuns.net A Galaxy of Suns ‘plays’ the stars as they rise and set over 360˚ of the horizon. Tracking the Earth’s motions through space, the work documents in real-time the audience’s precise position in relation to the stars, sonifying stellar data to create a sound and visual composition unique to their location in space and time. A Galaxy of Suns works with parameters such as location on the horizon, brightness, size, age and chemical composition of stars, and translates them into sonic and aesthetic variables including rhythm, pitch, volume, panning, colour and light intensity. The performance features a 36-part chorus, singing the stars as they rise and set over the horizon. A specifically created app delivers microtonal sonic cues directly to the 36 individual parts, in real-time for the location. Performers are spatially mapped across the performance venue to represent location across the galaxy, with the parts divided according to the ‘pitch’ of each individual star: the slower burning cooler red stars corresponding to the bass notes, and the faster burning hot blue stars corresponding to the upper registers. Sampled tuned percussion accompanies the chorus, with large-scale lighting tracking the progress of the choristers as they sing their way across the sky; the composition building until all 360 degrees of the horizon is represented in sound and light. This iteration was performed in the atmospheric entrance foyer of the Grand Freemasons Lodge in Adelaide. Many thanks to choir leader Jo Pike and the wonderful singers who made this performance possible. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1578959290333-4SA2YEJAGCA8IHKRBL0K/_MG_2567.jpg Portfolio - CORONAL MASS Michaela Gleave with Amanda Cole and Warren Armstrong 2019 Live sonficiation of the Earth’s magnetic field, using aurora monitoring data provided by the AUTUMNX Magnetic Observatory. 12 channel sound installation, light Photograph: Remi Chauvin Long Gallery, Salamanca Arts Centre, DARK MOFO View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185429101-ND2OFEQM3DAQ2WLBVDLS/20191204_202402_web.jpg Portfolio - The Radius of Infinity 2019 Morse code through mist: LED theatre lamp, stand, misting system, Arduino, custom software Lighting design consultant and custom software: Fausto Brusamolino Installation view: The Lock Up, Newcastle, Australia. Photograph: Michaela Gleave -..- - --- - .... . .--. --- .-- . .-. --- ..-. ..--- .--. .-.. ..- ... -.-- - --- - .... . .--. --- .-- . .-. --- ..-. - .-- --- .--. .-.. ..- ... --.. - --- - .... . .--. --- .-- . .-. --- ..-. ..--- -- .. -. ..- ... -.-. - --- - .... . .--. --- .-- . .-. --- ..-. ..--- - - --- - .... . .--. --- .-- . .-. --- ..-. ..--- . --.- ..- .- .-.. ... --.. . .-. --- The radius of infinity considers the extent of the knowable universe, taking as its starting point the mathematical equation x2 + y2 + z2 - c2t2 = 0. Visualised as a cone of light travelling out through space and time, this equation describes the maximum impact any one event can have on the universe. Using the medium of light and language of Morse code, The Radius of Infinity transmits this equation out through space. Passing through a fine mist of water droplets, the light illuminates the water as a swirling mass of falling stars, a flickering circle of light hitting the rear wall as the message terminates. Created using a theatre lamp and Morse code, The Radius of Infinity reflects upon the boundaries of existence - internal and external - as they shift over time. Informed by Bachelard’s Water and Dreams, The Radius of Infinity responds to humanities dreams of a cosmic ocean, of infinite depths, with liquid water the single element that distinguishes our life on Earth from the barren expanses of the cosmos. ‘Here, on the edge of what is known, in contact with the ocean of the universe, shines the mystery and beauty of the World. And it is breathtaking.’ Carlo Rovelli A catalogue essay from the exhibition is available here. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630923413555-65RU8J18O5NWXJF722MJ/201016_messages_032.jpg Portfolio - Messages of Hope, Messages of Love Michaela Gleave and Fausto Brusamolino 2020 Durational public artwork: moving head searchlights, custom software, publicly sourced messages, live video stream Photography: Silversalt Photography Messages of hope, messages of love was a major new public artwork, projected from the roof of the Art Gallery of New South Wales. For three consecutive evenings in October 2020, a ring of search lights brightened the night skies of Sydney with Morse code messages to connect us in these socially distanced times. Taking the form of a collaborative poem, the work was composed of messages that were submitted by the public via the Gallery’s Together In Art website during an open call in September. From these submissions, selected messages were arranged to form an intuitive and heartfelt collective tribute to the people of Sydney that beamed across physical and digital space. These illuminated messages were be viewable in the sky and via a live stream accompanied by text translations on the Together In Art website. Created in collaboration with lighting designer Fausto Brusamolino Messages of hope, messages of love was a love letter to Sydney, and the world beyond. It was conceived as a timely and poetic response to the strange reality of the present moment and encourages messages of love, hope, resilience, strength and compassion. ' Messages of hope, messages of love operated between 8pm and midnight on 16, 17 and 18 October. Messages were submitted during the public during the call-out period, 14–27 September 2020. A total of 360 messages were be chosen with each converted into a 2 min Morse code display. The beams of light were be visible from a radius of 2-5 km and to a height of 40–80m, weather dependent. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637185673516-6KRHSQQBP9LP8GI07PMA/Amo%2Bsiempre%2By%2Ben%2Btodos.jpg Portfolio - Messages of Hope, Messages of Love 2021 Durational public artwork: custom software, publicly sourced messages, live video stream Lead artist: Michaela Gleave Lighting design and creative coding: Fausto Brusamolino Web coding: Warren Armstrong Live stream videographer: Ben Golotta, Repeater Productions Messages of Hope, Messages of Love was broadcast over four evenings as part Illuminate Adelaide 2021. Initially planned as a lighting installation, a snap COVID-19 lockdown in the city necessitated a shift down the electromagnetic spectrum: Morse code audio signals replacing light to transmit each message. Taking the form of a collaborative poem, the work was composed of messages submitted by the public via the Illuminate Adelaide website during an open call. From these submissions, the artists arranged the selected messages to form an intuitive and heartfelt collective tribute to the people of Adelaide to be beamed across physical and digital space. Gleave and Brusamolino’s project – presented in conversation with The Avalanches – was a love letter to Adelaide. It was conceived as a timely and poetic response to the strange reality of the times and encouraged messages of love, hope, resilience, strength, and compassion. The first iteration of this project was produced in partnership with the Art Gallery of New South Wales, 2020. It was supported by the City of Sydney and the NSW Government through Create NSW. https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1654747693522-QIMHAAT7THWYPWQYVN98/galaxy+composite2.jpg Portfolio - A Galaxy of Suns Smart Phone App 2016 Created in collaboration with composer Amanda Cole and programmer Warren Armstrong Available internationally for iPhone and Android Photographs 1-2 by Silversalt Photography, photograph 3 by Roser Diaz For more information visit www.agalaxyofsuns.net A Galaxy of Suns is a smart phone app that ‘plays’ the stars as they rise and set over 360˚ of the horizon – for any location on Earth. Operating on a galactic scale this project is a collaboration across contemporary art, music, astronomy and design. A Galaxy of Suns works with the native potentials of smart device technology to create a unique experience of the cosmos accessible to audiences wherever they find themselves in the world. Tracking the Earth’s motions through space, A Galaxy of Suns documents in real-time the audience’s precise position in relation to the stars, sonifying stellar data to create a sound and visual composition unique to their location in space and time. Using the GPS data automatically recorded by smart phones and operational without network access, the project works with parameters such as location on the horizon, brightness, size, age and chemical composition of stars, and translates them into sonic and aesthetic variables including rhythm, pitch, volume, panning, colour and light intensity. Created by artist Michaela Gleave, composer Amanda Cole and programmer Warren Armstrong A Galaxy of Suns connects audiences with the unseen motions of our galaxy, through the intimacy of an app, and the large scale spectacle of choral performance. “With A Galaxy of Suns it feels like the smartphone has arrived as a viable medium” “A beautiful combination of music, astronomy, and conceptual art” Trevor H. Smith, Visual Arts South West, UK View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1620263884692-NI8GMUN74JQ1UIXQVCOR/2021_Gleave_star%2Btrail.jpg Portfolio - Cosmic Time Michaela Gleave with Amanda Cole and Louise Devenish 2021 Durational performance with prepared instruments, 40min Photograph: Silversalt Photography TarraWarra Biennial 2021: Slow Moving Waters COSMIC TIME is a major new performance work by artist Michaela Gleave, composer Amanda Cole and percussionist Louise Devenish. The project considers time on a cosmological scale, inviting audiences on a guided journey into the depths of existence. Decentralising the hierarchy of knowledge away from Western science and logic, the project explores alternate forms of understanding, including cosmological, geological, biological, historical and cultural. Created during a residency at the Powerhouse Museum, COSMIC TIME is informed by historic scientific and musical concepts such as orbital resonance and harmonic sequencing, and involves alternate, opposing, and intersecting rhythmic and metric schemas, skirting the peripheries of art, science, music and esotericism. A sequence of overlapping musical scores, based on various concepts of time, are performed by a cast of musicians dressed as spirits from the multi-verse. Playing metallic percussion instruments, the performers evoke sensations and rhythms scaling from the fall-out of the big bang; the endless circling of planetary forms; the fluttering heartbeats of desert mice; and the dissolve of consciousness into the astral plane. Comprised of overlapping fields and influences COSMIC TIME is imagined as an awe-inspiring audience experience across multiple possible planes. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637279754370-X143QC9G0YWJ690K2MBM/Michaela+Gleave_Cooks+River%2C+760+%E2%80%93+860nm_2021_layout.jpg Portfolio - Cooks River, 760 – 860nm 2021 Infrared photograph, dye sublimation print on aluminium panel Diptych, 36 x 61cm Shot in Infrared, Cooks River, 760 – 860nm focuses on a light source beyond the frame, capturing an image of the world outside of human perception. Natural landscape elements contrast constructed ones, the remnant river a reflection of alternate possibilities. Existing beyond the visible light spectrum, infrared light from the setting sun is reflected by chlorophyl in plant foliage rendering it ghostly white and absorbed into shadow by the body of water and its concrete tomb. Referencing sublime landscapes with their painterly visions of an industrial hell, the photograph in these images is mirrored Rorschach-like, lurid colour set against the monochrome to create alternate visions of this unearthly scene. Cooks River, 760 – 860nm reflects upon on the nature of reality and the human ideologies that have led to this present moment. It considers changes in the relationship between spirituality and the natural world, the death of rivers, and the existential divide we have forged between ourselves and a living cosmos. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637279634787-F1U7ETWIY4LBW1PW7U3H/MGleave_Irreversible_Actions_FINAL_3_2017_print.jpg Portfolio - Irreversible Actions/Inevitable Reactions 2017/18 Fire-activated invisible ink on hand-embossed watercolour paper Two channel video (looped), 8:40 and 10:30 min Works on paper: 56 x 76cm Following a recipe for fire-activated invisible ink, the words IRREVERSIBLE ACTIONS/INEVITABLE REACTIONS are written across two sheets of paper. The areas of paper treated by the ink burn faster than those surrounding, with four points of fire slowly etching their way across the sheet to meet in the middle. Irreversible Actions/Inevitable considers the violence of imposing geopolitical borders on people and landscapes, particularly in light of the recent refugee crisis in Europe. Made using potassium nitrate - a key ingredient in gun powder - the text also references the second law of thermodynamics and the language of chemistry, responding to the technology of warfare and the physical laws that bound existence. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637279679816-V180NISSG0UYU2OCDYYW/MGleave_UnderOneSun_2017_photoMichaelWaite_02.jpg Portfolio - Under One Sun 2017 63 silver gelatin prints 16 x 20 inches each, installation dimensions variable Commissioned by the Australian Centre for Photography for the exhibition Under the Sun: Reimagining Max Dupain's Sunbaker Installation view: State Library of NSW. Photographs: Michael Waite Created in response to Max Dupain's Sunbaker, Under One Sun is a sequence of 63 black and white photographic prints that document the positions of the planets over a series of dates, between 1789 and 1928, on which massacres of Indigenous Australian peoples took place. Presented as a grid of solar system diagrams, Under One Sun seeks to weave together and unveil numerous interconnecting historical narratives, addressing aspects of Australian culture that are implicitly ingrained within Dupain’s iconic image. Over the years, Sunbaker has come to represent an idealised vision of Australia, featuring the ‘body perfect’ as young, white and male. As Senior Curator of Photography at the National Gallery of Victoria Isobel Crombie argued, Max Dupain would have been heavily influenced by the philosophy of vitalism, the "body culture" movement and pseudo-science of eugenics that prevailed during the interwar period. In many ways, the Sunbaker could be seen as quintessential of "a white Australia" and exemplify the ideas of “regeneration of a race through the revitalisation of the body”. This series 63 photographic gelatin silver prints draws temporal and subjective parallels between the development of photography, science and the colonisation of Australia. Advances in astronomy and navigation were crucial to the expansion of the British Empire. James Cook’s first voyage indeed aimed at documenting the 1769 Transit of Venus from Tahiti and investigating the possible existence of Terra Australis Incognita, “Unknown Land of the South”. Observations of this astronomical phenomenon allowed scientists to further refine navigational tools as well as accurately measure the distance between the Earth and the Sun. The first Englishman to map the east coast of ‘New Holland’, Captain Cook claimed the coast and, in 1788, the British Empire opened the way for the European colonisation of Australia. Taking a dramatically zoomed out view of the timeframe implicated in Dupain’s photograph, Under One Sun represents verified as well as alleged historical data via a series of solar system diagrams. Appearing almost as targets, the planets pierce the diagrams like bullet holes; a planetary finger print of the date being recorded. Reflecting on our shared position under the one sun, the work alludes to the extermination of Aboriginal peoples during colonisation whilst acknowledging the lack of exhaustive and verified historical data associated with this shared history. Deliberately based on Wikipedia’s open-source listing of Indigenous massacres in Australia, the artist highlights the ambivalence and complexities to represent and discuss a fundamental part of Australian history. Planetary calculations are made accurate to midday on the date in question, where one is known, with median dates used for conflicts spanning longer periods of time or where the exact date is undocumented. Western place names have been used to assist in locating these events, based on geographical names registers, historical and modern-day maps. The artist would like to acknowledge the Gadigal of the Eora Nation, the traditional owners of the land on which this project was produced, and the Warlpiri of Willowra (Wirliyatjarrayi), the traditional owners of the land on which the artist was born and whose people were affected by the last massacre documented in this project. Sincere thanks to Claire Monneraye, Michael Waite and the ACP for their support of this project. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637279710672-1N1FUJY73BVGG9BA4MLM/24inches_gagarin_72DPI.jpg Portfolio - 1977.09.05 28.2920ºN, 80.3440Wº (Voyager 1) 2015 Pigment print on photographic rag paper 117 x 61cm / 211 x 111cm 1961.04.12 45.9650ºN, 63.3050ºE (Gagarin) and 1977.09.05 28.2920ºN, 80.3440Wº (Voyager 1) are graphs of the stars for two moments in history that changed humanity's relationship to our surroundings forever. 1961.04.12 45.9650ºN, 63.3050ºE (Gagarin) maps the stars for 24 hours as they rose over the Baikonur Cosmodrome in Kazakhstan on April 12 1961, the time and place from which Yuri Gagarin became the first human being in history to enter outer space. 1977.09.05 28.2920ºN, 80.3440Wº (Voyager 1) documents rising stars over Cape Canaveral Airforce Station on 5 September 1977, the day the Voyager 1 space probe probe was launched, the first human-made object to leave the solar system. A diagram of space and time, these images were produced using a custom computer program that maps position on the eastern horizon along the Y axis, and time along the X axis, the relative star sizes and colours accurate to data from the Hipparchos catalogue. All stars rendered in the image are of magnitude 8 and less, which is the extreme naked eye limit of visibility in very dark skies. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637280064313-MTURILOTZXGK3PQGGJ3V/image-asset.jpeg Portfolio - Fear Eats The Soul 2017 Branding iron on cotton rag paper 29 x 21 cm View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1637280200687-W2669TZZI63STZV0UDF7/impossible_web_final.jpg Portfolio - Alles ist Möglich 2010 Documentation of event, neon light, pine, car battery, inverter Location: Berlin. Photograph: Romy Pocztaruk This event occurred on the 22/09/10 on a section of undeveloped land in the former ‘dead zone’ between East and West Berlin. At the time of the project’s execution this site was privately owned but left open for public use. View project here https://michaelagleave.com/terrella-1 daily 0.75 2023-02-23 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1677111720170-C84W4Q3GKBF5O7WK023I/Gleave_Michaela_Terrella_2022_2.jpg Terrella https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1677111719550-MCPHFGWLD5470CVZAJOY/Gleave_Michaela_Terrella_2022_1.jpg Terrella https://michaelagleave.com/sidney-myer daily 0.75 2024-08-20 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1692420332997-3LYC0RP302USEQHQUQU6/Michaela+Gleave_Of+sea+and+sky_2023_10.jpeg Sidney Myer Creative Fellowship - Of sky and sea Michaela Gleave 2023 Durational public artwork: moving head searchlights, custom software, endangered languages data set, live website, artifact Photograph: Michaela Gleave Victoria Dock, Naarm/Melbourne Presented as part of Now or Never View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1692840695402-DM167B2NTNRJWNCJ6J6F/Passage-Aug+23_Image+Credit-Document+Photography-+23-Web-13.jpg Sidney Myer Creative Fellowship - The sky continues beneath our feet Michaela Gleave 2023 Pine, polycarbonate, reclaimed glitter, reclaimed foam, geotextile, theatre lamp, foil balloons, breath, lighting gels, audio Photograph: Document Photography Installation view: Passage Gallery, China Town, Sydney View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1683246223285-HNAGP5CZ7M6RCW5E9GJY/UQAM_WeAreElectric_installationview_20230213_jruckli_161.jpg Sidney Myer Creative Fellowship - Terrella Michaela Gleave, Amanda Cole and Warren Armstrong 2022 Live sonfication of the Earth’s magnetic field: self-generating music app, live data, projection screen, seating elements, ionisation unit Photograph: Josef Rickli University of Queensland Art Museum View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1692421065383-SFR844XOGLGYHDUNSALO/2021_Gleave_star%2Btrail.jpg Sidney Myer Creative Fellowship - Cosmic Time Michaela Gleave, Amanda Cole and Louise Devenish 2021 Durational performance with prepared instruments: 40 minutes Photograph: Silversalt Photography Presented as part of TarraWarra Biennial 2021: Slow Moving Waters View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1578959290333-4SA2YEJAGCA8IHKRBL0K/_MG_2567.jpg Sidney Myer Creative Fellowship - CORONAL MASS Michaela Gleave with Amanda Cole and Warren Armstrong 2019 Live sonficiation of auroral monitoring data: 12 channel sound installation, light Photograph: Remi Chauvin Long Gallery, Salamanca Arts Centre, DARK MOFO View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1685671438556-PN5H994ASC4Q0FWTFILQ/20191204_202402_web.jpg Sidney Myer Creative Fellowship - Radius of Infinity Michaela Gleave 2019 Morse code through mist: LED theatre lamp, stand, misting system, Arduino, custom software Photograph: Michaela Gleave Installation view: The Lock Up, Newcastle, Australia. View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630799653389-JSTLLWGKPMA0WTGKQEJJ/fear-eats-the-soul_27558766856_o.jpg Sidney Myer Creative Fellowship - Fear Eats the Soul Michaela Gleave 2016 LED signage, custom computer program, irrigation misters, scaffolding 20m x 11m x 3m, 5 minute 'electrical glitch' loop Photograph: Remi Chauvin Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1692421771613-SHHT3J9QH996L7AZ7OMT/mgleave_cloudspa_fauxmo_2016-2.jpg Sidney Myer Creative Fellowship - Cloud Spa (Faux Mo) 2016 Timber construction, water, misting units, plumbing, LEDs, scent Photograph: Michaela Gleave Presented as part of Faux Mo, MONA FOMA View project here https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1692420898771-1HESX76ADWGECC4LZ5JS/8II_1986.jpg Sidney Myer Creative Fellowship - A Galaxy of Suns 2016 Michaela Gleave with Amanda Cole and Warren Armstrong Live sonification of star data: 36-part choral performance, smart phone app, staging, lighting program and sound design Photography by: Cooper Brady Horizon Festival 2019 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630814092044-WZTY05KXE686CUNQ6PKZ/WeAreMadeOfStardust_blau_web.jpg Sidney Myer Creative Fellowship - We Are Made of Stardust Michaela Gleave 2016 LEDs, pine frame, electronics 7 minute colour loop, 11.4 x 5m Photograph: Lukas Breusch Aufstiege, Schorndorf, Germany View Project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813612717-C2XK2HX5AUMT7SBUYLT6/2_MGleave_The+World+Arrives+At+Night_Screen+Shot_2.JPG Sidney Myer Creative Fellowship - The World Arrives at Night Michaela Gleave 2014 Performance delivered via email, website Gallery of Modern Art, Brisbane View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813578320-36W64K43SGOFUR2C3MXS/6frozen+moment-54_editweb2.JPG Sidney Myer Creative Fellowship - Our Frozen Moment Michaela Gleave 2012 Water, irrigation system, strobe lighting, pine structure, recycled rubber, wire balustrade, gum boots, rain ponchos Photograph: Silversalt Carriageworks, Sydney View project https://michaelagleave.com/prints-faq daily 0.75 2024-03-15 https://michaelagleave.com/agos-privacy-statement daily 0.75 2024-01-22 https://michaelagleave.com/collect daily 0.75 2024-05-02 https://michaelagleave.com/creative-australia-application-2024-copy daily 0.75 2024-05-02 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707437394952-0V4XMCS6NJQTKN6CXV93/Passage-Aug+23_Image+Credit-Document+Photography-+23-Web-16.jpg Creative Australia Application 2024 (Copy) - The sky continues beneath our feet (Copy) Michaela Gleave 2023 Pine, polycarbonate, reclaimed glitter, reclaimed foam, geotextile, theatre lamp, foil balloons, breath, lighting gels, audio Installation dimensions variable Installation view: Passage Gallery Photographs: Document Photography View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707437501903-2ZUT7ZRXJNZB4V61HAP0/Michaela+Gleave_Of+sea+and+sky_2023_10.jpeg Creative Australia Application 2024 (Copy) - Of sky and sea (Copy) Michaela Gleave 2023 Durational public artwork: moving head searchlights, custom software, endangered languages data set, live website, artifact Installation view: Docklands, Melbourne Photograph: Michaela Gleave View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707438022982-K2TP2DLXUM1HTN0KNEHY/UQAM_WeAreElectric_installationview_20230213_jruckli_161.jpg Creative Australia Application 2024 (Copy) - Terrella (Copy) Michaela Gleave, Amanda Cole and Warren Armstrong 2022 Self-generating music app, live data, projection screen, seating elements, ionisation unit Installation view: University of Queensland Art Museum Photographs: Josef Rickli View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1709161451122-BO8GZMX7UYDMW5GNGX2T/Michaela+Gleave_Cosmic+Time_Lincolns+Rock_01_hero.jpg Creative Australia Application 2024 (Copy) - Cosmic Time (Copy) Michaela Gleave, Amanda Cole and Louise Devenish 2021 Durational performance with prepared instruments: 40 minutes TarraWarra Biennial Photograph: Silversalt Photography View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1578959290333-4SA2YEJAGCA8IHKRBL0K/_MG_2567.jpg Creative Australia Application 2024 (Copy) - CORONAL MASS (Copy) Michaela Gleave with Amanda Cole and Warren Armstrong 2019 Live sonficiation of the Earth’s magnetic field, using aurora monitoring data provided by the AUTUMNX Magnetic Observatory. 12 channel sound installation, light Photograph: Remi Chauvin Installation view: Long Gallery, Salamanca Arts Centre, DARK MOFO View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630799653389-JSTLLWGKPMA0WTGKQEJJ/fear-eats-the-soul_27558766856_o.jpg Creative Australia Application 2024 (Copy) - Fear Eats the Soul (Copy) 2016 LED signage, custom computer program, irrigation misters, scaffolding 20m x 11m x 3m 5 minute 'electrical glitch' loop Photograph: Remi Chauvin Installation view: Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707438408020-0S1LBOCUNAS0QWU0YMKB/mgleave_AGOS_DarkMofo_2016-9.jpg Creative Australia Application 2024 (Copy) - A Galaxy of Suns (Copy) 2016 Created in collaboration with Amanda Cole and Warren Armstrong 36-part choral performance, smart phone app, staging, lighting program and sound design Photography by: Lucy Parakhina Installation view: Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813286719-B6C3YBQT21P3S6ZJJ96F/mgleave_cloudspa_fauxmo_2016-2.jpg Creative Australia Application 2024 (Copy) - Cloud Spa (Faux Mo) (Copy) 2016 Timber construction, water, misting units, plumbing, LEDs, scent 4 x 4 x 3m Installation view: Faux Mo, Hobart Photograph: Michaela Gleave View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813578320-36W64K43SGOFUR2C3MXS/6frozen+moment-54_editweb2.JPG Creative Australia Application 2024 (Copy) - Our Frozen Moment (Copy) 2012 Water, irrigation system, strobe lighting, pine structure, recycled rubber, wire balustrade, gum boots, rain ponchos Installation view: Carriageworks, Sydney Photograph: Silversalt View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813612717-C2XK2HX5AUMT7SBUYLT6/2_MGleave_The+World+Arrives+At+Night_Screen+Shot_2.JPG Creative Australia Application 2024 (Copy) - The World Arrives at Night (Copy) 2014 Performance delivered via email, website Gallery of Modern Art, Brisbane View project https://michaelagleave.com/creative-australia daily 0.75 2025-09-01 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707437394952-0V4XMCS6NJQTKN6CXV93/Passage-Aug+23_Image+Credit-Document+Photography-+23-Web-16.jpg Creative Australia - The sky continues beneath our feet (Copy) Michaela Gleave 2023 Pine, polycarbonate, reclaimed glitter, reclaimed foam, geotextile, theatre lamp, foil balloons, breath, lighting gels, audio Installation dimensions variable Installation view: Passage Gallery Photographs: Document Photography View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707437501903-2ZUT7ZRXJNZB4V61HAP0/Michaela+Gleave_Of+sea+and+sky_2023_10.jpeg Creative Australia - Of sky and sea (Copy) Michaela Gleave 2023 Durational public artwork: moving head searchlights, custom software, endangered languages data set, live website, artifact Installation view: Docklands, Melbourne Photograph: Michaela Gleave View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707438022982-K2TP2DLXUM1HTN0KNEHY/UQAM_WeAreElectric_installationview_20230213_jruckli_161.jpg Creative Australia - Terrella (Copy) Michaela Gleave, Amanda Cole and Warren Armstrong 2022 Self-generating music app, live data, projection screen, seating elements, ionisation unit Installation view: University of Queensland Art Museum Photographs: Josef Rickli View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1709161451122-BO8GZMX7UYDMW5GNGX2T/Michaela+Gleave_Cosmic+Time_Lincolns+Rock_01_hero.jpg Creative Australia - Cosmic Time (Copy) Michaela Gleave, Amanda Cole and Louise Devenish 2021 Durational performance with prepared instruments: 40 minutes TarraWarra Biennial Photograph: Silversalt Photography View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1578959290333-4SA2YEJAGCA8IHKRBL0K/_MG_2567.jpg Creative Australia - CORONAL MASS (Copy) Michaela Gleave with Amanda Cole and Warren Armstrong 2019 Live sonficiation of the Earth’s magnetic field, using aurora monitoring data provided by the AUTUMNX Magnetic Observatory. 12 channel sound installation, light Photograph: Remi Chauvin Installation view: Long Gallery, Salamanca Arts Centre, DARK MOFO View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630799653389-JSTLLWGKPMA0WTGKQEJJ/fear-eats-the-soul_27558766856_o.jpg Creative Australia - Fear Eats the Soul (Copy) 2016 LED signage, custom computer program, irrigation misters, scaffolding 20m x 11m x 3m 5 minute 'electrical glitch' loop Photograph: Remi Chauvin Installation view: Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707438408020-0S1LBOCUNAS0QWU0YMKB/mgleave_AGOS_DarkMofo_2016-9.jpg Creative Australia - A Galaxy of Suns (Copy) 2016 Created in collaboration with Amanda Cole and Warren Armstrong 36-part choral performance, smart phone app, staging, lighting program and sound design Photography by: Lucy Parakhina Installation view: Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813286719-B6C3YBQT21P3S6ZJJ96F/mgleave_cloudspa_fauxmo_2016-2.jpg Creative Australia - Cloud Spa (Faux Mo) (Copy) 2016 Timber construction, water, misting units, plumbing, LEDs, scent 4 x 4 x 3m Installation view: Faux Mo, Hobart Photograph: Michaela Gleave View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813578320-36W64K43SGOFUR2C3MXS/6frozen+moment-54_editweb2.JPG Creative Australia - Our Frozen Moment (Copy) 2012 Water, irrigation system, strobe lighting, pine structure, recycled rubber, wire balustrade, gum boots, rain ponchos Installation view: Carriageworks, Sydney Photograph: Silversalt View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813612717-C2XK2HX5AUMT7SBUYLT6/2_MGleave_The+World+Arrives+At+Night_Screen+Shot_2.JPG Creative Australia - The World Arrives at Night (Copy) 2014 Performance delivered via email, website Gallery of Modern Art, Brisbane View project https://michaelagleave.com/michaela-gleave-cms daily 0.75 2024-05-17 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707437394952-0V4XMCS6NJQTKN6CXV93/Passage-Aug+23_Image+Credit-Document+Photography-+23-Web-16.jpg Michaela Gleave + CMS - The sky continues beneath our feet (Copy) (Copy) Michaela Gleave 2023 Pine, polycarbonate, reclaimed glitter, reclaimed foam, geotextile, theatre lamp, foil balloons, breath, lighting gels, audio Installation dimensions variable Installation view: Passage Gallery Photographs: Document Photography View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707437501903-2ZUT7ZRXJNZB4V61HAP0/Michaela+Gleave_Of+sea+and+sky_2023_10.jpeg Michaela Gleave + CMS - Of sky and sea (Copy) (Copy) Michaela Gleave 2023 Durational public artwork: moving head searchlights, custom software, endangered languages data set, live website, artifact Installation view: Docklands, Melbourne Photograph: Michaela Gleave View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707438022982-K2TP2DLXUM1HTN0KNEHY/UQAM_WeAreElectric_installationview_20230213_jruckli_161.jpg Michaela Gleave + CMS - Terrella (Copy) (Copy) Michaela Gleave, Amanda Cole and Warren Armstrong 2022 Self-generating music app, live data, projection screen, seating elements, ionisation unit Installation view: University of Queensland Art Museum Photographs: Josef Rickli View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1709161451122-BO8GZMX7UYDMW5GNGX2T/Michaela+Gleave_Cosmic+Time_Lincolns+Rock_01_hero.jpg Michaela Gleave + CMS - Cosmic Time (Copy) (Copy) Michaela Gleave, Amanda Cole and Louise Devenish 2021 Durational performance with prepared instruments: 40 minutes TarraWarra Biennial Photograph: Silversalt Photography View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1578959290333-4SA2YEJAGCA8IHKRBL0K/_MG_2567.jpg Michaela Gleave + CMS - CORONAL MASS (Copy) (Copy) Michaela Gleave with Amanda Cole and Warren Armstrong 2019 Live sonficiation of the Earth’s magnetic field, using aurora monitoring data provided by the AUTUMNX Magnetic Observatory. 12 channel sound installation, light Photograph: Remi Chauvin Installation view: Long Gallery, Salamanca Arts Centre, DARK MOFO View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630799653389-JSTLLWGKPMA0WTGKQEJJ/fear-eats-the-soul_27558766856_o.jpg Michaela Gleave + CMS - Fear Eats the Soul (Copy) (Copy) 2016 LED signage, custom computer program, irrigation misters, scaffolding 20m x 11m x 3m 5 minute 'electrical glitch' loop Photograph: Remi Chauvin Installation view: Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1707438408020-0S1LBOCUNAS0QWU0YMKB/mgleave_AGOS_DarkMofo_2016-9.jpg Michaela Gleave + CMS - A Galaxy of Suns (Copy) (Copy) 2016 Created in collaboration with Amanda Cole and Warren Armstrong 36-part choral performance, smart phone app, staging, lighting program and sound design Photography by: Lucy Parakhina Installation view: Dark Mofo 2016 View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813286719-B6C3YBQT21P3S6ZJJ96F/mgleave_cloudspa_fauxmo_2016-2.jpg Michaela Gleave + CMS - Cloud Spa (Faux Mo) (Copy) (Copy) 2016 Timber construction, water, misting units, plumbing, LEDs, scent 4 x 4 x 3m Installation view: Faux Mo, Hobart Photograph: Michaela Gleave View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813578320-36W64K43SGOFUR2C3MXS/6frozen+moment-54_editweb2.JPG Michaela Gleave + CMS - Our Frozen Moment (Copy) (Copy) 2012 Water, irrigation system, strobe lighting, pine structure, recycled rubber, wire balustrade, gum boots, rain ponchos Installation view: Carriageworks, Sydney Photograph: Silversalt View project https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1630813612717-C2XK2HX5AUMT7SBUYLT6/2_MGleave_The+World+Arrives+At+Night_Screen+Shot_2.JPG Michaela Gleave + CMS - The World Arrives at Night (Copy) (Copy) 2014 Performance delivered via email, website Gallery of Modern Art, Brisbane View project https://michaelagleave.com/publications daily 0.75 2024-05-02 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471871897-U1TBG7ZYDJI98Y86W0SK/Formist_MichaelaGleave_1.jpg Collect https://michaelagleave.com/publications/the-influence-of-an-idea-on-the-physical-properties-of-the-world monthly 0.5 2024-05-02 https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471981620-ME1K1XPZCF37VDEZ012L/Formist_MichaelaGleave_1.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471981137-0HV3FOU1YR1HK5C5UNMA/Formist_MichaelaGleave_2.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471981081-ID7OJ5BQJFA54AO24YMD/Formist_MichaelaGleave_3.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471973039-YCINX6THRWW21PK884VO/Formist_MichaelaGleave_4.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471985557-OH6IFIY35CFX6B2BNR51/Formist_MichaelaGleave_13.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471987585-1YXQHE8KV5XDMKK9J3PN/Formist_MichaelaGleave_12.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471998321-BKAM7P6OSJJRR4JG0FOP/Formist_MichaelaGleave_19.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710472005195-GWRQHELBVR3LM79PKLH2/Formist_MichaelaGleave_25.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710472014400-TSHC03MU9DMKU63VQT4G/Formist_MichaelaGleave_32.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471985719-SSIUZ1AYG1I53VE1V4AH/Formist_MichaelaGleave_11.jpg Collect - Michaela Gleave: The influence of an idea on the physical properties of the world https://images.squarespace-cdn.com/content/v1/5260ba28e4b0c0ba6253e514/1710471987244-00SLJ961IN2N1FIC9YFH/Formist_MichaelaGleave_14.jpg Collect - 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